GET INTENSE!

MONOLOGUE & THE AUDITION CLASS is now ACCELERATED!

Same Great Class in a ONE WEEK INTENSIVE! GET PREPARED!

Stop Putting Off Auditions and Interviews!

M&TAC is all about auditioning with more confidence, finding great monologues and getting work! Monologues are one of the tools you need to get work in the MPLS, LA and NYC markets. Want to know other avenues to a successful career? Come…I’ll tell you….

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“Sandra's class was awesome! She helped me to work up a great monologue! I used it at the Minneapolis Unified Auditions. I got eight call backs…” ~ Jessica Balts, TC Actress, Monologue & the Audition Class Alumnus.

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Registration starts now for the MONOLOGUE & THE AUDITION CLASS. Strengthen your confidence by signing up today for this very empowering acting and marketing class! (M&TAC details/flyer below.)

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MONOLOGUE & THE AUDITION CLASS ACCELERATED!

(Teens & Adults)

with Sandra K. Horner

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"Sandra's class was awesome! She helped me to work up a great monologue! I used it at the Minneapolis Unified Auditions. I got eight call backs, and was cast in two fabulous shows! My confidence was boosted and my resume looks like it's supposed to. I would definitely recommend taking her class!" ~ Jessica Balts, TC Actress, Monologue & the Audition Class Alumnus.

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Sandra has 30 years of acting experience, and 20 years of teaching, directing and producing experience in LA, MPLS, NYC. She returns from LA to get you ready to win the role.

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Monologue & the Audition Class is based in Robert Lewis' Script Analysis

Who was Robert Lewis?

Along with Meisner, Adler and Strasberg, Robert Lewis was a master teacher who came from The Group Theatre. He also headed the Yale Drama Department during which time Meryl Streep and many other greats, studied with him. http://en.wikipedia.org/wiki/Robert_Lewis Sandra had the good fortune to study directly with “Bobby” while living and working in NYC. (To Sandra’s knowledge, she is the only coach in LA & MPLS teaching pure ROBERT LEWIS’ SCRIPT ANALYSIS Technique.)

MONOLOGUE EMPHASIS: Easily finding the right monologues for you. Simple tools for cold reading monologues. Movement and blocking. Working your monologue(s) to audition level.

COLD READING EMPHASIS: Strengthening your oral reading skills. Interpreting scripts quickly with Lewis' Script Analysis. Delivering direction/adjustments easily. Making strong, imaginative choices that get you called back!

MARKETING EMPHASIS: Do's and don't of auditioning. Making your headshot work for you. Strengthening your resume. Writing great cover letters. Get agent(s). Get work. Get paid. Job and audition etiquette. Skype interviews and auditions (new). MPLS Vs., LA Vs., NYC markets.

MONOLOGUE & THE AUDITION CLASS culminates in a “As If Audition.” It’s a lot of fun applying all that you have learned in a mock film, television or stage audition!

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Get More Confident.

".... I can't believe what you can get out of your actors."  ~ Dan O'Dowd, screenplay writer and director, LA.

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Every actor needs a repertoire of monologues. Why? Because monologues are used to show: directors/agents/managers/casting directors and producers, a sample of your work. Don't be fooled into thinking that monologues are only used in theatre auditions.

A real life example: One of our last LA performances that I directed and produced found some Industry unable to attend. Yet actors were getting called in off their headshots. This happened to Jessica. An agent asked her to his office to do a couple of monologues. Luckily, she was prepared. She WOWed the agent, and he asked to represent her. Plus he wanted her to come in and perform a new monologue each month, to keep her chops up........and this is just ONE example.

I have a card hanging on the wall in my office that reads: "Luck is being prepared for opportunity when it comes." Jessica wasn't lucky, she was prepared. Are you?

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Monologue & the Audition Class Begins: Thursday, February 9, 2012

In-Person Classes Meets:  Thursday, Friday, Saturday and Sunday. (Feb. 9, 10, 11, 12) (Private one-on-one Skype Class before the 9th.)

Time: In-Person Classes:  Thursday & Friday, 6:30-10:30 PM. Saturday & Sunday, 7:30-10:30 PM (Class may run late.)

Private Skype Class will be scheduled at actor’s convenience. (“Telephone Class” for those w/o Skype.)

Where: Hennepin Center for the Arts 528 Hennepin Ave. Ste. 300 Minneapolis, MN 55403

Cost: Two payments of $150.00 ( Direct deposit thru Wells Fargo. Credit cards thru PayPal, small interest fee applies)

Class Limited to 10 actors

Call Sandra for more details and to sign up: 818-997-6740 / SKHperformance@aol.com/ www.skhperformancestudio.com

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QUOTES:

“As an actor, one of the most difficult parts of auditioning for me is finding the right monologue and feeling confident when I perform it for the first time. I found myself not going to auditions simply because I didn't have any new material. Sandra's monologue class was of great help to me. After working up 2 strong contrasting pieces, I wanted to go out and use them - and I did. I now have 2 shows lined up back to back at the 4th Street Theater and at the Jungle. I credit Sandra with helping me get them.” ~ Mikki Daniels, TC actress, TPS alumni.

"Sandra has what I call 'eagle-vision'...If it weren't for Sandy I would've never been able to do "United 93." She gave me the tools to go to emotional depths I had never gone before..." ~Trish Gates, Lead Actress, in Oscar Winning "United 93". TPS Alumnus.

“You can tell Sandra’s actors are very well trained.” ~ Laura Tucci, Casting Director, Paramount Television, LA.

"Sandra's students perform with such honesty. This honesty is not only important to stage, but vital for the camera. ~Jean Rohn, former casting director for ALL MY CHILDREN. Owner of JR Casting. MPLS.

"I highly recommend Sandra's classes....." ~ Barbara Shelton, casting director, owner of Bab's Casting. MPLS.

“I had been acting for over 30 years and considered myself a very good actor but I took Sandra Horner’s Advanced class in order to become “consistently excellent.” Within months of taking Sandra’s class I won a “Best Performer” award at a State-wide competition and shortly after that was awarded the “Best Actor” for a theater’s entire season. Acting isn’t about winning awards or collecting trophies (even Oscars), but it’s affirming to have good work acknowledged and appreciated… I now work more as a Casting Director than an actor and I love auditioning actors who have taken Sandra’s classes because I know they’re serious and committed to their craft.” ~ Matthew Feeney, casting director, Walden Entertainment. TPS alumni.

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